Travel Theme: Sensory

This week, the travel theme at Where’s My Backpack? is: Sensory!

OK, look. There’s a part of me that wants to make crap jokes asking “are you ready to be stimulated?” *tee hee* but then I think, what am I, twelve? My struggle is real. Onward to maturity! Here’s to our senses, and please enjoy the ride.

Paris. There are small ponds in the park that surrounds the Eiffel Tower. If you lean over the railing and look straight down from one of the upper observation decks, you can see them for yourself. And it’s a little disconcerting. Note: if you have vertigo, perhaps you should avoid this exercise.

Watch that first step. It's a doozy.

Watch that first step. It’s a doozy.

There’s something profoundly invigorating about getting on a boat. At least there is for me. When I’m on the water and the smell of the salty air hits me, and boat’s engine roars to life and we are seaward bound, and the wind whips my hair around my face, I feel everything come alive. I think I was a sailor in a past life.

See you later, Boston.

See you later, Boston.

Welcome to the Day-Glo Garden at the Great Lakes Science Center. Fun fact: I totally want to build an inner sanctum that looks like this. With a killer stereo system and all the streamable TV I want. Because really, this is what things look like inside my brain most of the time. Hashtag when I am a millionaire.

The only thing this is missing is are tiny sparkly pixies.

The only thing this is missing are tiny sparkly pixies.

When in Rome

Go to the Jewish ghetto, find a nice place to eat with sunny, pleasant outdoor seating and, if the fried artichokes are in season, eat them. When you go inside to use the restroom, prepare yourself for the smell of garlic wafting down from the rows and rows of corded bulbs hanging from the ceiling.


I had no idea what I was walking into.

And nary a vampire to be found. Savvy.

Behold! Music is just moments away with this handy-dandy travelling turntable and a trusty guitar. Photo taken at an Ellis Paul concert. Who I need to go see again, soon, but I digress.

Looks like the party's about to start.

Looks like someone has the party well in hand.

And finally.

My place. Black bean burgers with cilantro pesto on a bed of shredded sweet potatoes. It was delicious. My mouth is watering at this photo: Paging Dr. Pavlov!

I like vegetables. That is all.

Therein lies my sensory challenge. I hope you have fun checking out the other participants in this week’s photo challenge. Thanks for dropping by!

Ellis Paul, Wilkes University, June 1 2014

Ellis Paul guesses we didn’t save the LP. Or the 8-track, or the cassingle, or even the CD, as his story about a recently rented car that featured an MP3 port but no CD player will attest. But goddamn it, he’s not giving up an LP (or, in the broader spectrum, non-digital music) without a fight.

Check out the swingin' record player!

Nothing like traveling with a harmonica and a swingin’ record player! I had one kind of like this when I was a kid, but…it also played 78s*. I miss that record player.

*Some of you have no idea what I’m talking about, do you? Add this to the hashtag #whippersnappers.

Not that I can blame him for not giving up the LP…says the girl who has three record players hanging around her house, and regularly has LP-only dance parties in her living room.

Avec l'harmonica!

Avec l’harmonica!

I can’t find a bit of fault for anyone mourning the way the music industry has turned on itself. When everything’s digital, there is no “big picture”. There’s no concept album, there’s no cohesive narrative, there’s no reason to create an album your listeners will play from beginning to end, from the start of Side A to the close of Side B (#whippersnappers, that’s how it was done). There’s not even cool cover art. It’s all short, easily digestible (OK, is debatable) 3-minute bursts of electronica. It’s shortsighted at best, and only provides one tiny sliver of insight into music and humanity and life. For a storyteller…no es bueno.

Storifying us all.

Scoffing in the face of autotune.

See, he said, when everything is digitized and downloadable, there’s nothing to care for. There’s no item that you can hold in your hands, nothing to blow the dust off, no liner notes to read. There’s no fond memories of a tone arm weighted down with a taped-on nickel to ride over the scratches (#whippersnappers).  He did say he’s going to release future recordings on LP, which I will of course be buying. Because it’s vinyl and I can’t help myself.

Speaking of scratches, gearheads, no, you’re not imagining things. There’s duct tape on the guitar. It seems that the appropriately-named (because look at it) guitar, Guinness, had an unfortunate incident during transport, and the airline he was flying on (United, maybe?) cracked it…but of course accepts no responsibility. Saying this guitar has gotten its fair share of dings is an understatement. Maybe there’s a cabal of rogue luthiers trying to boost business by creating unfortunate guitar incidents.  Here’s another picture of it.

Boo boo guitar. Plus rock-star pose.

Boo boo guitar. Plus rock-star pose.

Guinness really is a gorgeous guitar. Want to see it again?

Well, hello, beautiful.

Well, hello, beautiful.

So, Ellis Paul showed up in NEPA and provided a bit of a discourse about the dominance of digitized music. I didn’t expect to have to get all philosophically thinky-like, but there you have it. Inspiration strikes in the oddest places. He did this with a harmonica, a guitar, and a record player for two full hours of storification and musical regalement. And he brought a friend along! Laurie MacAllister from Red Molly stopped in for the least jangly, most soulful rendition of “If I Had a Hammer” that I have ever heard.

Having teh funnies on stage.

Having the private smilies on stage.

All in all, it was a fun evening, though I think I may have set myself up for something. When I went to the merch table (because I’m all cool and in-the-know and say things like “merch”) to get…ummm…merch, I…well, I not only requested (and received!) permission to go on stage and photograph the Official Ellis Paul Touring Record Player….

Record player, with conveniently-placed (not even by me!) non-Guinness acoustic.

Record player, with conveniently-placed (not even by me!) non-Guinness acoustic.

…BUT I decided to toss out a pitch for a song. “Next time you’re in PA,” I began, and he added, “Which is in a few weeks.”

Oh, right. I remembered that as soon as he said it. I mean, he doesn’t normally come back to this area so quickly. But you know? Too late to stop now.

“Next time, would it be possible for you to do “Paris in a Day”? Because I would love that forever.” What I didn’t say is, it would go right next to that little spot in my heart where his 2003, Austin TX, Cactus Cafe performance of “Conversation with a Ghost” lives, and I would blow it kisses and nurture the memory and work it into my mental loop of awesome things that keep me happy. Because it is goddamned “Paris in a Day” and all other arguments are invalid. 

He said, “You know, I was just listening to that song on the way up here today.”

Really? D’oh!  Ahem. So. Looks like I’m going to Bethlehem, because if he does polish up that chestnut and I’m not there? I’m the worst fan ever.

Yeah. See you in a few weeks.

Yes you would be, he seemed to say.

Who’s with me?

I mean, really, if he doesn’t play “Paris…”, the worst that will happen is we’ll see a really good show.

Here’s “Paris in a Day” to play you out. And “Conversation with a Ghost”, for good measure.

Sad but true. And yes, I own this. And it's not an LP.

Sad but true. And yes, I own this. And it’s not an LP.

Sunrise: Normandy Beach, NJ; May 4, 2014, 5:52AM

I had considered and rejected the idea of getting up for sunrise photos this Sunday. I was exhausted after a weekend of celebrating my niece and her new husband, and making the concordant travel, and general busy-ness. After the wedding, we visited two friends who have a beach house in Normandy (to extra-clarify, Normandy Beach NJ, not France), which was near the general area of wedding festivities. Awesome, right? A few days with the fam, and then a groovy night with friends. What could be better? We (as in George, said groovy friends, and I) wandered around a few different boardwalks, had some beers (including my first summer shandy of the season, joy!), found a nice bar in which we watched the Kentucky Derby (sorry, Wicked Strong, I was rooting for you!), then went out for dinner and stuffed ourselves silly. I am one of those people who needs downtime in order to recharge my batteries. I had none. I was beat. Sleep was my objective, not early rising.

Fate had other plans.

Something–and I swear, I don’t know what–woke me up at 5:20. And you know, you start to weigh options and make bargains. “If it’s even a little cloudy, I’m going back to sleep.”

It was clear.

OK, OK. “If it’s windy and cold, I’m going back to sleep.”

It was surprisingly warm(ish), and not windy at all.

Pffft. Hmm. OK. “If George isn’t willing to go with me, I’m going back to sleep.” (Please note: I’m not sure why that was important to me at 5:30 in the morning, but it was.)

George got right up and started getting ready to go. Bless his heart.

So, bejacketed and bleary-eyed, we walked five minutes up the road to the beach and climbed the newly installed sand berm to the much-beleaguered Jersey shore, and watched the sun come up. While I hesitate to say that something is “magical” because really, anyone who says that is hopelessly twee, I’ve got to say…I’m really glad I was there. The sunrise went a little like this:

Well, hello, bird.

Well, hello, bird. And charter boat. Thanks for being scenic.

Off to the side, houses keep watch.

Off to the side, houses keep watch.

That rock has waited a long time to be exactly in this position to see this sunrise.

That rock has waited a long time to be exactly in this position for me to photographically exploit. Thanks, rock!

And here it comes.

And here it comes.

It's relentless.

It’s relentless.

I mean, this all took place in what was only a matter of minutes, really.

I mean, this all took place in what was only a matter of minutes. We’re really whizzing around in space.

Oh noes! That ship!

Oh noes! That boat! It will never survive!

Suck it, Eye of Sauron. You've got nothing on this.

Suck it, Eye of Sauron. You’ve got nothing on this. (Plus, *chomp chomp eat ur boat*)

While I strive to love all my photos equally, I think this one is my favorite.

While I strive to love all my photos equally, I think this one is my favorite.

In psychotic weather news, two hours later it was overcast and drizzly.

Meanwhile in psychotic weather news, two hours later it was overcast and drizzly.

Or maybe this one's my favorite. I love the textures you can see.

Or maybe this one’s my favorite. I love all the textures you can see.

Even crazy silhouette guy likes a good sunrise.  (Full disclosure: it's George, in a hoodie.)

Even scary silhouette guy likes a good sunrise.
(Full disclosure: it’s George, in a hoodie. *phew*)

Almost free of the horizon line...

Almost free of the horizon line…

And there it goes! Le soleil, off into the yonder. Which I would say is wild blue but we can clearly see is seething orange.

And there it goes! Le soleil, off into the yonder. Which I would say is wild blue but we can clearly see is seething orange. I love that the waterline looks like liquid gold.

So. There you have it. Sunrise, Jersey shore style. There’s still so much work to do down there after Hurricane Sandy, but you know, lesson learned. This world of ours keeps on rolling along, and so must we.

Here’s a little Ellis Paul to play you out.

Travel Theme: Brown

Oh, brown.  You are much maligned.  You are the color of chocolate, coffee and good earth and yet?  Brown = meh.  And I get it; you don’t have as much zazz as, say, fuchsia, or orange, and looking across a field of brown doesn’t tickle the imagination like looking out onto the sparkling blue vastness of the ocean.  But brown, take heart.  I don’t know how to quit you.  Neither, apparently, does Ailsa, as “Brown” is her travel theme this week over at Where’s My Backpack?

Getting started.

Occasionally I drive around where I live, because it’s pretty, and look for things to photograph.  There’s a row of wooden stalls in serious disrepair next to a now-defunct business; I think it was a garden supply store and the stalls held different flavors of mulch, but that’s not terribly relevant, except that decaying infrastructure has an inherent photogenic appeal.  Plus, the woods are creeping in on it and I love it when nature wins again.  Check it out.

I can't quite say it's urban decay because we're so not urban, but nevertheless...always interesting. Lewisburg PA, April 2013

I can’t quite say it’s urban decay because we’re so not urban, but nevertheless…always interesting. Lewisburg PA, April 2013

I took this during some sunrise photo fun in Myrtle Beach; I love the brown of the wooden boardwalk and the golden tan of the sand.  Plus, I always thought the boardwalk looked like some kind of massive sci-fi bug-creature lumbering (no pun intended, but I’ll take it) back to the waters from whence it came.  Because that’s how things work in my brain.

Under the boardwalk.  Surfside Pier, Myrtle Beach

RAWR I’m a scary monster.  Under the boardwalk. Surfside Pier, Myrtle Beach, June 2013

This is a photo of the aptly-named Cascade River, in Lutsen, MN.  Why is the water so brown, you ask?  Because it’s busily engaging in the process of erosion and is packing a TON of silt.  It’s all good.

There it is, cascading.

There it is, cascading.

Meet Guinness.  Guinness is an exceedingly beautiful guitar owned by folk singer Ellis Paul (who I’ve written about here, here, and…).  This past June, Ellis played a kid’s show at the James V. Brown Library in Williamsport, PA, and I was fortunate enough to be part of the setup team (thanks, Shawn and Robin!).  As I was hauling chairs and such I couldn’t help but notice the guitar (’cause it’s priddy) and HOLY POCKETS!  Look at the inlay on the neck.

That is one mighty fine lookin' guitar.

That is one mighty fine lookin’ guitar.

And finally.

Every summer here in the ‘burg we get to enjoy Rural Heritage Days (see: we are so not urban), a several-days-long event that celebrates all things rural and heritage-y.  I learned how to twist rope, how to make lead shot, and, in this photo, I got a demonstration on blacksmithing, from some kid who probably got his first hammer and anvil in the cradle.  I love the combo of old and new–the safety goggles, the old-school leather apron–and the proud father (or maybe grandfather, who knows?) watching on just behind the boy.

You go, kid! Make that nail.

You go, kid! Make that nail.

So there’s my “brown” theme for the week.  Have fun looking at the rest of the other participants!  (Or play along yourself. 🙂 )  I’ll leave you with a video of Ellis Paul playing the lovely Guinness.  Enjoy.


Ellis Paul at the James V. Brown Library

Or rather, at the “liberry”, as I like to say.

Ellis Paul, the folk singer I’ve written about once or twice before, finally played somewhere that’s a reasonable driving distance from my little hamlet of a town.  I’ve been known  to make the three+ hour trek to Philly to see him, or drive an hour and a half to Harrisburg.  Twenty-six miles?  Less than thirty measly minutes?  To Williamsport?

Pfft.   Chump change.

OK, so it was a children’s show and I don’t have any kids.  Understandably, one might think that was a little quirky (Hello, my name is Terri but you can call me Aunt Creepster) BUT I am friends with one of the programming coordinators at James V. Brown Library.  The library, opened in 1907, is a gorgeous building bequeathed to the city by lumber baron James VanDuzee Brown (and thus not to be confused with a certain other James Brown, regardless of the music being performed).  Performers–Ellis, and anyone who plays there for First Friday events–get to play in the Rotunda Room, which boasts a beautiful stained glass rotunda and wrought iron gazebo.  It’s kind of an amazing place to spend a day regardless of why you’re there.  I got to help set up and hang out and feel all cool.  What a different person I’ve become, now that I think hauling chairs around a library on a Saturday morning to prep for a kids’ show is “cool”.  And yet I was.  A girl can’t help it, even if I wasn’t quite a roadie and was more of a…ummmm…venue monkey.  Or something.

Here’s the thing: even when he’s putting on a kid’s show, Ellis Paul is a great act to catch.  He’s funny and engaging.  He keeps the kids entertained and throws in enough references so the parents “get” that he’s winking at them.  He plays long enough to be worth it but not so long that the kids are losing their minds.  And even though these songs are written for children, they’re still conceptually interesting.  I didn’t know there was such a thing called “wabi-sabi“, never mind that it was a Japanese aesthetic that focuses on the acceptance of imperfection.  Not until I heard a song about it at a kid’s show.

It’s a great message for kids.  Not a bad one for adults either, when you come down to it.  But it’s one that’s far more challenging and evocative than “I love you, you love me.”  Which I suppose is nice too, but a little pedestrian and not always true.

Here’s some photos from the show.

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32 Reasons Why I Love Boston

As we are surely aware, my beloved city of Boston suffered tragedy yesterday as [an as yet undetermined person or organization who I hope chokes on a bag of dicks] set off a few bombs near the finish line of the Boston Marathon.  Now.  I could focus on being angry and sad, but it doesn’t change what happened.  And I get the contingent of people who say, “Oh, a bomb went off in a crowded public place?  Here, that’s called “Tuesday”,” though really, people, that sort of self-righteous cynicism only adds to the outrage so until tempers cool, do us all a favor and STFU.

Until we figure out who did it and ran, I don’t feel like I’m qualified to add fuel to the socio-cultural-impact fire.  I didn’t lose a loved one or know anyone who was injured.  I just hate senseless violence and so, I am sad.

So rather than focusing on the glum and the negative (I’ll let the various investigative departments worry about that), I figured I’d look at some of the many, many reasons that Boston kicks ass.  This is in no way a comprehensive list but rather, one comprised of the photos I have handy.  You can argue about what belongs on here all you’d like and I’ll welcome it, but I maintain: it is because of things like these that Boston kicks ass.

The MFA.


The Big Noodle.




This staircase.


This guy.


Cuervo Games.


The Feast of St. Joseph.


This street performer.


And this one.

Feasting at The Green Dragon.

356And live music at The Black Rose.


The T.


The Citgo sign.


This harbor tour boat.


Boston Harbor at night.


Rehearsals for Shakespeare in the Park.






One badass dude on a horse.


This lady.


Faneuil Hall.


The Sam Adams Brewery Tour.


The Hancock Building.


The surreally beautiful Public Garden.


The North End.


The Mary Baker Eddy Library.




Eric Clapton’s boat.


World’s saddest snowman.


Whale watches.


The wall of saints.


The skyline at sunset.


Ever Forward!

My sister-in-law snapped an extraordinary picture of my niece, on her first day of kindergarten.  After putting her on the bus (which had several more stops to make), Debbie high-tailed it to the school, waited for the bus to roll in, spotted Jen still at her seat and clicked away, nabbing the shot that makes my jaw drop every time I look at it.


Welcome to the moment where everything changes.

This took place in the days before the advent of pre-K orientations, when the first day of school was one’s first encounter with their school.  This was, literally, the first time Jen was seeing the building in which she’d spend the bulk of the next few years.  There are so many emotions she conveys in this shot–you can see she’s nervous and scared, and excited, and so wholly absorbed in her assessment of the school that she doesn’t even notice her mother standing just below her on the sidewalk.  Can you feel the butterflies flitting around in her stomach?  This picture makes me want to practice my zen deep breathing.

She looks so…little.  She was so little then.  I mean, come on.  She was five.  And yet–despite the fact that she was so young, and nervous, and facing an entirely unknown situation–she got off that bus and went in those doors.

You could argue that she had to go.  You could rightly claim that there was nothing she or her parents could have done to prevent her from going to school, and even if she broke down into hysterics and threw herself on the ground at her mother’s feet, eventually, she would have had to walk through those doors anyway.  Therein lies my point.  She was five, and when children are five we don’t just expect, but mandate, that they do things like go to school and learn how to read and add and become functional members of our society.  Which is fine and as it should be since they need to start doing that at some point, but ultimately what we expect a five-year-old to do is blow up her or his comfort zone and launch into a journey of self-improvement.  Think about it.  We expect our children to go to a new building where they are surrounded by people they don’t know, abide by rules they haven’t had to live by yet, incorporate new skill sets into their repertoire, and perform those skills on demand.  Daily.  For twelve years (thirteen, counting kindergarten).  When they cry and say they hate school we assure them, “You’ll get used to it, it gets better, I promise.”  And every day the kids go back to school, to stare down new expectations, and meet them.  Or not, as also happens.

Kids, I’ve come to realize, don’t hate school because it’s hard–the word “hard” is so ambiguous in this situation that it renders itself meaningless.  Math is hard, grammar is hard, history is hard, science is hard…but so what?  Anything new is “hard”, since you lack the learned skill for it. I can think of fully grown, seemingly functional adults who would rather peel their own faces off than walk into the unknown like Jen did that day, and like every five-year-old does on their first day of school. Kids hate school because it constantly pushes them out of their comfort zone.  They may change…or they may fail to change in comparison to the peers that surround them.  Which is worse?  How many times have you made the face my niece is making, mentally or physically?  How many times have you resisted doing something because it’s different?  How many times have you said (or heard someone else say), “No, I won’t do it, I hate change.”  How many times have you tried to do something once, lacked the innate skill for it and defensively declared it “stupid”?  (You should have seen my first and only knitting lesson.)

I understand the desire for order, and I understand why we as adults tend to resist change.  I understand why we’re attached to our status and our stuff; I don’t even want to imagine a road trip without my smart phone handy anymore.  But I suspect that’s not what It, in the big-picture, capital-I “It”, is all about, no matter how much I love to surf the web while my boyfriend is driving.  We were born programmed to learn, to think, to experience a range of emotions, to make our time here on this planet an insightful and emotional journey and not just a chronological one.  So.  With this new year, I wish you all peace and joy and health.  I wish you love, and I wish you all the ability to attain the goals you’ve set for yourselves.  And I wish you all the courage of the five-year-old girl who rides the butterflies into a great unknown.  Ever forward!

Music: An Interview with Ellis Paul

This interview also appeared in the Local Music Collective Newsletter

Guitar-totin’ folk singer Ellis Paul is a busy man.  He tours anywhere between 150 and 200 days a year.  He writes every day.  And he is preparing to record his 18th album, the latest in a series of albums he is recording independently since leaving his former label in 2005.  After a recent performance at the Midtown Scholar Bookstore in Harrisburg, Paul sat down with me for a few minutes to talk about songwriting and the pros and cons of recording without a label.


Paul broke with his former label and started the process of independently-funded music when he decided he wanted full creative control over his work.   He says, “You have to please people who aren’t you, and the reason you’re trying to do that is because they’re the ones who are paying for everything–the studio time, the mixing, the marketing.  You keep clamoring for the attention of the label executives who, understandably, want a positive return on their investment.  The big problem with that thinking is, the labels want to pigeonhole artists and have them create songs that are more formulaic and will end up on the radio.”

He continues, “When I work without a label, I’m only responsible to my fans, and myself.  With fan-funded music, you get to make all the choices, create your own deadlines, own all your own masters.  The downside is that you then have to pretend you’re a record label, and do your own marketing and promotion, which is not my favorite part of the industry.”

Bring it home, Ellis.

Playing Guinness, his beloved guitar, in fine form after a prolonged repair due to a tragic speaker incident.

Paul says his music has benefited by becoming more broad since he’s struck out on his own.  A former track athlete who didn’t start playing guitar until an injury sidelined him in college, he says, “I’ve been able to explore music I haven’t had a chance to yet.  I started playing in college and writing my own stuff as soon as I learned to play, so I didn’t have that high school cover band experience.  I don’t know a lot of covers.  Reinterpreting other people’s music alters the way you understand chords and song structure and so the vocabulary you’ve developed with your own music changes.  I’ve written a list of 200 songs by other artists I admire, and my goal is to learn them all.  And we’ll see how that impacts my writing.”

Songwriting, says Paul, is a combination of crafting and inspiration, and good songs find a successful balance between the two.  “When I’m working on a new album, I probably break in six or seven new songs on the road.  I like to watch how my audience responds to a song because it helps keep me in balance.  If inspiration takes over, it’s easy to start trying to be increasingly clever in your phrasing, or keep making cloaked references, and in doing so you can lose sight of what the song is about.  Conversely, if you give craft too much control, then your song can become contrived and joyless and your audience can start to follow how you think.  Playing new songs live can be a great way to stay self-aware and determine if you’re over-crafting or if you’re being too clever for your own good.”

Here’s a song already written for his upcoming album.

This article will also appear in an upcoming issue of the Local Music Collective newsletter.  

Music: Ellis Paul

A few weeks ago I went to Harrisburg for a concert.  The show was held in this really cool venue, the Midtown Scholar Bookstore.  Midtown (duh), right across from the Broad Street Market, and six levels of space jam-packed with used books for your delight and edification.

Books. Coffee. Open space.

Yes, that’s right.  I said six.  It’s big.  And it’s roomy and groovy, an old movie theater that burnt down and was converted into a store of some kind that closed down in (I think) the ‘70s.  And stayed closed until the Papenfuses took it over and turned it into a cultural mecca.  Books, art, coffee, and live music.  Local peeps looking to play in the Harrisburg area (or non-local peeps looking to play in the Harrisburg area), check them out.  And bring extra money, because you’re going to want to pick up a book you never expected to see.  Anyway.

So I went to Midtown Scholar not just to feast my eyes upon its loveliness, but to see Ellis Paul.  In the last thirteen or fourteen years I’ve probably seen Ellis (who now, like Beyonce, only requires a first name…at least that’s how it is in my world) somewhere around twenty-ish times.  I’d never heard of him when I first saw him in college; he opened for John Wesley Harding and I thought, OK, I’ll give the newbie a listen.

I’ve gone on mini-Ellis-tour in Texas (and met a bunch of other people doing exactly the same thing).  I’ve traveled through thunderstorms and snow, driven seven hours in a day, and planned trips around when he’ll be in a particular area.  It’s not just that he’s a skilled singer-songwriter who’s also a charming storyteller, it’s that his lyrics capture the motion of our daily lives, and whether you’re in the nerve-wracking insecurity of a new relationship (Maria’s Beautiful Mess) or wondering where to find a cocktail and a friendly welcome during a voyage of self-discovery (Alice’s Champagne Palace) or just need to recognize a pivotal, life-altering moment in your life (The Day After Everything Changed), he figures out a way to do it.  Gracefully.  Poetically.  With open tunings.  For a while I always brought someone new to an Ellis show with me, as though it were my mission.  My sister even got involved in such, bringing my mother to an Ellis show.

Can you even stand how cute she is?

He asked me once if I was secretly on his payroll, as I brought in a stream of new listeners.  Sorry, man.  It’s just for the love of the game.  And GOD AS MY WITNESS, do NOT respond with “Freebird” if he asks for any requests.  It won’t end well for you, as he has the mike and an axe to grind.  I’ve already taken the heat for this for you.  Trust me.  Some day, I’ll ‘splain.

People, just because I like you, I’m embedding “Hurricane Angel”.  Bring tissues, and you’re welcome.

He’s got a big voice, big features, big gestures.  I had no idea how one guy + one guitar could = compelling stage performance, but I’ve seen it done again and again.  And his thoughtful, well-crafted of lyrics have become the background music for—of all things—Farrelly Brothers movies, starting with “Me, Myself and Irene” (his breakthrough song for them, “The World Ain’t Slowing Down”, was the romantic theme in the movie) and going straight through to “Hall Pass”.

If you YouTube “The World Ain’t Slowing Down”, you’ll come across loads and loads of covers.  My personal favorite is by the Greenock Zombie, who doesn’t cover it so much as lip-synchs.  In a zombie mask.  Behold!

Any so.  If you’re looking for things to do, and Ellis is in the area, believe me.  His shows are so worth a $20 cover charge and a couple of hours of your time.  Bring your mother.  Trust me, she’ll love it.

As for why it’s re-running the pictures of the book store and Ellis and my mother…I do not know.  When I understand this better, I will fix.

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