The Walking Dead, S 5, Ep. 5: Self Help

SPOILERS.

A BIG  SPOILER, ACTUALLY, IF YOU HAVEN’T ALREADY WATCHED THE EPISODE (and/or read the graphic novel).

SO, YOU KNOW. SPOILERS. SPOILRRRRR. JUST CALL ME SPOILY McSPOILINGTON.

OK, so.

Here we are.

Episode five, season five jumps quickly to Abe in flashback, beating a man to death in a grocery store, with a lethal can of beans in his hands. The camera travels through the grocery store, which is littered with Abe-fueled death. We don’t know who these people are, or why Abe has snapped a tether. And we don’t really find out. We just know it has something to do with his family, and he has smote relentless death unto his fellow man.

Abe Ford, at the end of a very bad day.

Abe Ford, at the end of a very bad day.

And herein lies my MAAAAAJOR problem with this episode. It wasn’t the acting. I thought the acting was perfectly fine. Or the directing. I mean, the production values were generally as high as ever. But I thought the writing was sorely…sorely…lacking.

For those of you who don’t read the graphic novel and weren’t able to infer what was going on from Abe’s flashbacks, in the early days post-apocalypse, Abe and his wife and family had joined up with a group of survivors, all neighbors, all people he’d known for years and had barbeques and watched football with on Sunday afternoons. People you know and trust, right? So. He was out on a supply run and when he came back, discovered that his wife and daughter had been raped by his friends and neighbors. Boom. He snapped, and went all Skullcrusher. His relentless violence freaked his family out so much that they fled from him, figuring they’d take their chances in the great wide world. Which, of course, was a terrible decision, and led to them getting eaten by zombies.

Since I don’t read the graphic novel I’m sure you’re wondering, how do I know this?

They explained it all on The Talking Dead. Which I watch all the time and enjoy very much indeed, but–let’s face it–it shouldn’t be up to host and stand up comic Chris Hardwick to deliver relevant plot points from the TV show unto the viewers. Not that I don’t like Chris Hardwick; I do. He’s funny. He’s smart. And I’m not saying I needed to see a rape scene to make it clear to me what happened. But it shouldn’t have been Chris Hardwick’s job to get me that information. 

Anyway. Back to the show.

Aside from Abe’s backstory, the other significant plot point in this episode is that Eugene finally outs himself as a fraud (well, duh). Abe, obsessively single-minded in his purpose, launches himself into a vicious fight with Glenn over the next leg of their mission to get Eugene to DC so he could stop this whole apocalypse thing.

I AM SO ANGRY!

I AM SO ANGRY!

Eugene has been trying to cockblock the mission to DC for a while. Remember when he shot their old truck and rendered it unusable? Or when he convinced Abe and Rosita that they should help Glenn find Maggie? Or when he tried to get the group to stay with Rick Nation in the church? In this episode, he told Tara that he put glass in the fuel line of the bus they were in, so it wouldn’t run. Eventually, it seems a conscience has worked its way into Eugene’s mental mechanism and at last he’s done with the fighting and the lying and trying to figure out more ways to derail their DC jaunt. When Abe and Glenn get ready to come to blows (and seriously, they’re about to go at it, hammer and tongs) over the direction the DC crew should take, Eugene finally (FINALLY) yells, “I’m not a scientist! I’m not a scientist! I lied…I don’t know how to stop it…”

*cue the sound of a needle scratching across a record*

So. All the emotional investment Abe had put into Eugene was for naught, and the mission to get Eugene to DC–the only thing that propelled Abe forward–was pointless. Subsequently, Abe was pointless. And as a result, Abe saw it fitting to nearly beat Eugene to death, so much so that Rosita actually stepped between Abe and Eugene, hand on her pistol, ready to shoot if Abe made one more move toward him.

Hold on a second, there, Killer.

Hold on a second, there, Killer.

Even Rosita–who I don’t think has said more than a few words in any given episode, before this–now has a sense depth and a personal moral code. But as far as Abe goes, writers, you let me down. Abe remains one-dimensional. He’s a military guy and he’s been written as that thick-necked military guy who’s only got one move, which is HULKSMASH.

Image from rap.genius.com

Image from rap.genius.com

If they’d explained more successfully why Abe flipped a switch in the grocery store, or made him less likely to want to beat up Glenn or practically kill Eugene, then you know. OK. We all have bad days, but are complicated creatures underneath. I mean, even the Hulk suffered melancholic internal struggles.

Maybe some of the flashback was supposed to cover Abe’s emotional turmoil but again…it didn’t translate as well as I would have liked.

So. What’s going to happen now?

I would imagine Glenn and Maggie will turn around to try and rejoin Rick Nation. Why hang out with the dangerous, meathook-wielding borderline psychopath when hanging out with the cooler, more calculating, machete-wielding Ricktator is an option?

I’m pretty sure Eugene wasn’t beaten to death (largely because on The Talking Dead, Josh McDermitt–the actor who plays Eugene–was still in his Eugene hair, while in real life he’s non-mulleted and sports a kind of sandy blond hipster ‘do, and they’re in the middle of filming the second half of Season 5 now), though he certainly had his clock cleaned. I think Abe, Rosita & Eugene will also head back to Rick Nation, since what the hell else are they going to do? Abe is a man who needs direction and now doesn’t have any, and if I were the rest of his group I’d want to get away from Captain Unstable and his Flying Fists of Doom, ASAP.

As for Abe, he needs to think long and hard about what he’s about as a person and just how much he owes Eugene, whose calls for help–as we saw at the end of the episode–prevented Abe from eating a bullet. Eugene saved Abe’s life.

Abe=foreground, gun slowly coming out of his mouth. Eugene=mid-screen, barely ahead of some hungry walkers.

Abe=foreground, gun slowly coming out of his mouth. Eugene=mid-screen, barely ahead of some hungry walkers.

Particularly in the zombie apocalypse, it seems, no good deeds go unpunished.

The Walking Dead, S5, Ep. 3: Four Walls and a Roof

SPOILERS GALORE! BE FOREWARNED! ABANDON HOPE OF NON-SPOILAGE, ALL YE WHO ENTER HERE!

Have I made my point? Turn away, if you don’t want to know stuff.

First, let me make this abundantly clear: when Beth finally frigging returns to the series on which she is ostensibly a regular, and she isn’t dressed in leathers and feathers and dragging Channing Tatum behind her on a chain, then an enormous opportunity has been lost and she seriously needs to contact her agent to renegotiate her contract. (Video clip = NSFW/kids)

Yeah, just like that.

Second: I realize I am probably opening my inner psyche up to be plumbed by armchair psychologists out there, but here goes. This episode had a scene that was incredibly brutal, where Rick Nation slaughters…and by slaughters I mean, HOLY HELL, kills the shit out of…the remaining Terminians, turning them into so much hamburger (pun fully intended). And you know…I was OK with it. I don’t know. Does this mean I’m desensitized to violence? Or does my mindset mean that if I survive a zombie apocalypse and end up in a confrontation with a professed group of cannibals who’ve eaten the leg off a member of my family, set said crippled, half-eaten family member outside my safe house as bait to lure me out, and engineered a home invasion with the intention of killing and eating the rest of my family, I’d not mind killing them with extreme violence, myself?

Son, you done made one mighty big mistake.

Son, you done made one mighty big mistake.

Because woah, the demise of the Terminians was extreme. But sorry not sorry; I thought Gareth & Co had it coming. Every bit of it. Join or Die” might have worked for Ben Franklin in the dawning of the United States, and to some degree the principle makes sense in a world where survival hangs so tenuously from a thread. There’s something to be said for the safety of numbers. But the deal from Gareth wasn’t a post-apocalyptic, “In unity there is strength, let us be brothers!” No. It was more “There is no nobility in the world, and I am sociopathically detached from my human side. The only difference between myself and the walkers out there is my ability to calculate environmental threats. But I still want to eat human flesh, and if you don’t join me and my group, then you’re next on the menu.”

It's like playing Where's Waldo, but with zombies. Walkers. Whatever.

It’s like playing Where’s Waldo, but with zombies. Walkers. Whatever.

Can I just point out: that is a gorgeous bit of cinematography.

I found it ironic that Gareth thought to plead for his life, promising that if Rick would let them go they would never, ever see him again. What was it he said when Bob tried to bargain with him, tried to tell him that they have a person who believes he can resolve the zombie crisis, while poised over a trough waiting to be bled out? “You can’t go back, Bob,” he said. Still, it seemed he half-expected Rick to let him go, so long as he promised to never, never ever, try to eat the members of Rick Nation again.

As an aside, wasn’t there an episode involving The Governor called “Too Far Gone”? Yes, yes there was. I am sensing a theme. Apparently, even in the barking mad world of the post-zombie-apocalypse, there is an edge and you can go over it, and if you do…yeah, it’s not good for you.

Really, Gareth. I told you this was a bad idea.

Really, Gareth. I told you this was a bad idea.

My boyfriend found the level of violence enacted by Rick Nation upon the Terminians shocking, and I know the extreme violence of the scene was brutal and controversial. I get it. They could have been more merciful, more expedient, more humane, less invested in a blood orgy. They weren’t. And Rick did get a look on his face akin to that of a velociraptor in Jurassic Parkbefore delivering Gareth unto his final reward with–as promised in episode one–a red-handled machete.

Yep. Pretty much the same.

Yep. Pretty much the same.

But it is an icky, icky world they live in. Last season, Rick tore someone’s throat out with his teeth, and when he did that he seemingly had no choice. This season, he dispatched the somehow-even-worse-than-zombies clan of cannibals, and it seemed that in the interest of humanity, he had no choice. They would move on to the next victim, and the next, and the next. You can’t let that live. Though OK, OK, fine, they could have been less crazy-eyed and stabby about it. But they weren’t. Moving on.

So, Bob. Poor, poor Bob. Poor, I always wanted to hear more about his backstory, about how he managed to survive not one, but two, overrun encampments, wherein he was the only survivor. The viewer got to see just how detached from any semblance of civilization the Terminians were, talking to Bob while eating his leg in front of him. I mean, seriously. Gareth was right, for him (at least) there was no going back.

Bob Stookey presents: Worst Day Ever, a play in one act.

Bob Stookey presents: Worst Day Ever, a play in one act.

And yes, Bob was bitten, Bob was dead anyway, long before being dragged into the woods and made into a snack. Gareth & Co’s eating of him–infected as it was (and thank you, friends, for blowing up my Facebook feed with posts that screamed, “TAINTED MEEEEEEEEAT!”, but I digress)–opened the door for us to ask, what WOULD have happened to the Terminians if they weren’t killed by Rick Nation? Would Bobmeat have, ironically, killed them? We’ll never know. But we can wonder, and wonder what this is foreshadowing. Because I can’t imagine introducing the idea of tainted meat and not ever using it again.

As an observation…OK, so Bob received a noble death, or at least as noble a death as one can get in this show. He was surrounded by loved ones who sat vigil with him until he died, and he got to have some prophetic last words. He told Rick, “Nightmares end. They shouldn’t end who you are.”

You. You have a gift, you.

You. You have a gift, you.

Nice, right?

Um.

Is it me, or are Bob’s last words, basically, “Stay gold, Ponyboy”? (And if you don’t get the “stay gold” reference, read and/or watch SE Hinton’s The Outsiders immediately and welcome to an immutable icon of American culture. Nice to have you with us.)

So at the end of the show, the group is split again, as Abe heads to DC with Rosita, Eugene, Glenn, Maggie, and Tara, and so much for safety in numbers, amirite? Seriously, what is UP with Abe? And with Eugene? They act as though a giant clock that only they can see is ticking. Maybe he’s sick of it all and just wants the apocalypse to come to an end (the horror..!), but who doesn’t?

Rick stays at the church with the remainder, waiting for Daryl, who returns at the end of the episode with a mysterious someone in the woods behind him. Who’s he got? I have no idea. Is it Carol? Probably not, considering he got this look on his face when asked where she is:

That's not a good face.

That’s not a good face.

Side note: if she’s dead, I will be really, really pissed. #TeamCarol

Fingers crossed that it’s Morgan, because, you know. Morgan. I mean, he showed up for like five seconds at the end of one episode, once. So what’s his story? Where does he fit into all of this? Of course I think it would be nice if Daryl is just being cagey about Carol and yes, she’s with him and was just back in the bushes having a pee and he was kind of embarrassed about it because lady-business and all. But this show is never nice, and particularly not in the first three episodes of this season, which has been all about how nothing is ever safe. Sure, Rick makes that speech to Carl, but there’s also the name of the episodes…”No Sanctuary”….”Four Walls and a Roof” (which is what their church/safehouse gets called). There’s no “Hooray, we’re home!” in any of it.

In next week’s trailer, Daryl says he’s seen Beth, and she’s different. Here’s hoping for leathers and feathers, y’all!

*Photo of velociraptor from http://es.jurassicpark.wikia.com/wiki/Velociraptor

The Walking Dead, S 5, Ep. 2: Strangers

~~~SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS~~~

Are you alerted? Good.

I’ve been thinking and thinking about what to say regarding this past week’s episode of The Walking Dead. And really, I don’t have a whole lot of theoretical insight into the episode. I mean, it was mostly an expository episode, dig? Like, it was setting us all up so we can move forward into the rest of the mayhem-filled season. There were, of course, a few interesting developments. Here we go.

–They met this preacher man, Gabriel, who apparently just cannot frigging deal with walkers.  They make him cry like a baby and throw up. He doesn’t carry weapons. He says he hasn’t killed any walkers (nor has he killed any people…at least not directly). Gabriel has a vicious penitential streak, as he wistfully looks into the distance, cryptically speaking about his multitude of sins. If he wrote posts like this on Facebook I would accuse him of Vaguebooking.  But he’s so caught up in his zombie fear and sin complex that he seems ready to martyr himself as said object of his (at least one) sin walks toward him with dinner on her mind.

Somebody has DEFINITELY got issues.

Somebody has DEFINITELY got issues.

Gabriel is weirdly glib, joking about things like stealing the squirrels Daryl had trapped for food (side note: is there no game in the Georgia woods? No ducks or deer or geese or…anything? Sorry, I digress). If you couldn’t figure out how to fight off the zombies around you, why do you think you would stand a chance against the clearly experienced woodsman armed with a crossbow?

Nothing gets between Daryl and his squirrels. Nothing.

Nothing gets between Daryl and his squirrels. Nothing.

I don’t believe for a minute that he could survive on his own. I don’t think he could do it even if he had a secret underground tunnel that led him to a zombie-proof bunker stocked with fifty years worth of food and a magically replenishing supply of ammunition, so there’s a part of me that is sure he’s got bigger, meaner friends somewhere.  And someone’s got some kind of rage against him, carving the sentence “You’ll burn for this” into the wood on the side of his church.

Rut-ro!

Rut-ro!

–The members of Rick Nation are fiercely loyal unto Rick, essentially telling Abe and Rosita that without Rick’s say-so (side note: he eventually says so), nobody from Rick Nation is leaving their group to accompany Abe’s peeps to DC, regardless of whether or not Eugene has “the cure”, whatever that means. Which is as it should be in the post-zombie-apocalypse world. When your world has turned completely inside out, why not build your home underneath the strongest tree? And he has shown that he is both willing and capable to do what must be done in order to keep his tribe alive (except for when he thought it best that they all walk derp-first into Terminus, and then had to have his and everyone else’s bacon–literally–saved). I guess we all make mistakes. Thankfully, Carol showed up, ready and willing to blow things up and rescue them all. #TeamCarol

Glenn spent a few minutes mooning over the Bible passage, “And let us not grow weary of doing good. For in due season we will reap if we do not give up.” Which sounds an awful lot like something Hershel would have said. The question isn’t so much whether or not Glenn, as the new moral compass in Rick Nation, will die but rather, it’s a question of whether or not he’ll make it to the end of the season.

What's the over/under on Glenn's survival time?

What’s the over/under on Glenn’s survival time?

–Carol doesn’t want to talk about it, about her time in exile. Any of it, and “it” generally means, that day, you know the one. Where Lizzie was told to just look at the flowers.

Yeah, that day. Understandable if she doesn’t want to rehash that old chestnut, even if it means leaving Daryl in the dark about what happened while she was away (“Well, I had to shoot a kid in the head, and…”).

–And Daryl just wants to know if they can “start over”, whatever that means. Go back to that simpler time, living in the prison, when he was “Pookie” and Carol hadn’t killed two people and burned their bodies in the side yard? Ahhh, l’amour. Instead, they end up getting into a car they found, that somehow is operable, to chase the car that Daryl had seen speeding off the night…WhatsHerFace?…was abducted.

And the chase is on!

And the chase is on!

For the record, WhatsHerFace? Still not present in this episode. The car she was taken away in has gotten more screen time than her.

–Rick is Mr. Incongruity. On the one hand, he’s quite sensibly all about safety, and how the security of their group is, hands-down, their number-one priority. Before taking off for a supply run he sits Carl down and says:

I need you to hear what I’m about to say. You. Are not safe. No matter how many people are around, or how clear the area looks, no matter what anyone says, no matter what you think. You are not safe. It only takes one second, one second, and it’s over. Never let your guard down. Never.

Got it? Great. Which is why it makes no sense that later that very night, in a building manned by a stranger Rick has already said he doesn’t trust, he’s all, “Hey, I know Daryl told me just last night that he knew someone was watching us but fuck it, let’s not post any guards anywhere, make it easy for our own people to slip off into the chaos-filled woods unnoticed, and have a mini-feast and a few glasses of wine, what do you say?”

I need everyone to be alert, so drink up!

I need everyone to be alert, so drink up!

Huh?

And so it makes it easier for Bob…oh, Bob…to slip off into the woods, for reasons as of yet undisclosed by the TV show. Earlier in the episode Bob had been part of the supply run (that involved Gabriel standing like a martyr about to be eaten) when he’s grabbed by a zombie and pulled below the water they’re all standing in. They kill said zombie…walker, whatever…and Bob says he’s OK, but not without a soulful look at his own chest, 

Nope, fine, fine. Except for this bite wound...

Nope, fine, fine. Except for this bite wound…

Later that night–because there are no guards and everyone’s busy getting drunk–Bob goes out into the woods to have a cry. He seems despondent. Was he bitten? Was he wandering off into the woods so he can kill himself rather than subject Rick Nation to his inevitable fevered death and turning? We don’t know, and it probably won’t matter, because he’s been clunked on the head and taken captive by Gareth, who is clearly mad and, after removing Bob’s leg at the knee and roasting it (and eating it right in front of him…), he’s also clearly hungry. And tyrannically cruel.  And calculating. He doesn’t want to kill Bob, see, because they don’t have the facilities for curing and storing meat like they did at Terminus, so if they keep him alive and just eat him in parts then his own body will make sure his Bob-meat doesn’t go bad. Did I mention he’s mad? And now he’s eating what is in all likelihood zombie-infected meat, which can’t be good. Like, we thought mad cow disease was bad, but this..?

Oh, Gareth, you are SUCH a crazy dickwad.

Oh, Gareth, the lesson you should take from this is: always check your prey for bites.

Oy. I suppose the joke is on him.

Fans of the graphic novel know this fate originally befalls that version of Dale, but TV Dale has been dead since season 2. Largely because he was annoying.

Never let your guard down, indeed. If only Rick had taken his own advice. Onward to episode 3!

Here’s a dedication, going out to Bob and all the horrifically cannibalized zombie apocalypse survivors out there.

The Walking Dead, S 5 Ep 1: No Sanctuary

SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS

Alert.

Soooo. The Walking Dead‘s season 5 premiere was on Sunday night (computer problems caused the delay in my posting, many apologies), and it was… Something. Full. Jam packed! With blood and gore and zombie mayhem.

But that was only part of it. Did I mention there was blood and gore?

OK, so. To sum up: the vast majority of our hearty and intrepid group had, one way or another, made their way to Terminus. The members of Rick Nation that were assembled at Terminus were:

Rick, Carl, Michonne, Daryl, Maggie, Glenn, Bob, Sasha, Abe, Rosita, Eugene, and Tara

…where they were herded by the Termains into one railroad car (big mistake, Termians! Divide and conquer, not consolidate so the conquerees can plan their escape, duh). They were supposed to wait for their untimely deaths and eventual repurposing as Termian dinner. Yes, the Termians were hipsters, so they repurpose, they don’t simply kill and eat. In the pursuit of nose-to-tail no-waste perfection, they probably had a plan to use their victims’ bones as the boarding around an ice hockey rink (refrigeration capabilities to follow). Yes, the people at Terminus were cannibals. Yes, we suspected it all along, and now we know it.

Poor hippie Sean. (Remember him from the episode where Rick exiled Carol? Yup. Same guy.)

Poor hippie Sean. (Remember him from the episode where Rick exiled Carol? Yup. Same guy.)

You’re either the butcher or you’re the cattle, they said, blah blah blah. And they’re all, we’ll kill our captives and bleed them out over a trough, and if one of our own should die, then he or she will become dinner too because nothing is personal and we can’t help it if everyone is made out of delicious meat, we are clinical, institutional evil, et cetera, et cetera. Right. Got it, Termians. Who else did we have to worry about?

Carol and Tyreese were still on the railroad tracks, with baby Judith (world’s most unlikely zombie apocalypse survivor), making their way to (but not quite at) Terminus. Carol is increasingly suspicious of Terminus because of reasons. Plus, she is so full of badassery, it’s almost ridiculous. #TeamCarol

Old What’sHerFace…I mean, Beth…is running the risk of being Old What’sHerFace all over again, since she was missing for the last two episodes of season 4 and was the only major cast member to not be featured in the season 5 premiere. George reassures me that she’ll have her day, and it seems like we’ll be clued into her circumstances in next week’s episode but nonetheless, this week? Beth WHO? Moving on.

There are a few themes that the writers seem to be addressing fairly regularly throughout the series. One recurring theme discusses the concept of what makes a monster. Sure, the zombies are terrible, but they’re just eating, and it sucks that they’re compelled to eat live human. But if they were compelled to eat only….grass, or squirrels, or pomegranates or something, an entire cottage industry would develop around the care and maintenance of pet zombies and their peculiarities.

You all know it’s true.

But the people…the people are the ones who do some truly terrible things, like institute cold, detached evil. Or, as we saw in the time jump at the end of this episode, be the group that’s so evil/rapey/kill-y it turns decent people clinically evil. Or be the sort of people who would kidnap What’sHerFace. And how could we forget The Governor, and his trophy room full of zombie heads in fish tanks? (Though even he didn’t descend into cannibalism, except for that one time he bit Merle’s fingers off. I mean, the town he founded was essentially Mayberry, in comparison to Terminus. And I digress.)  Even amongst our intrepid heroes, Rick has bitten someone’s throat out AND, in this very episode, has promised a relentless pursuit unto the death for all Termians, almost as though he were…compelled…to hunt and kill. Everyone else in Rick Nation is like, Dude, they’re scattered, they’re either going to run or die, so relax, MMMkay? While Captain Rick quiets down, I don’t think his lust for Termian killing has subsided one teensy bit.

Turning the idea of monster-dom even further on its head, Carol draped herself in a poncho (looking a whole lot like Clint Eastwood in A Fistful of Dollars), smeared herself in zombie gore to mask her human scent, and infiltrated Terminus in a herd of zombies (walkers, whatever, get over it) to rescue the blood-gutter-bound inhabitants of Rick Nation, and we’re with her all the way. Go, Zombie Carol! Take your undead horde and go get those bad guys!

IMG_0347

She’s got a fistful of somethin’, alright.

What? So now we’re siding with the zombies? They’re not the bad guys any longer? Unexpected. But OK. I’m listening.

Furthermore, the moral center of the group? Always dies. First, Dale “The world we know is gone. But keeping our humanity? That’s a choice,” died (though I still maintain he was killed largely because he was super-annoying). Hershel “Life is always a test” died. And now we have a new moral center, in Glenn, who almost–not once, but twice–took a baseball bat to the back of the head in this episode. Later, when Glenn realized  there was at least one captive locked in a Termian railroad car, he said, “We have to let those people out…that’s still who we are.”

Sigh.

IMG_0346

Foreshadowing?

It is official. Glenn is the new moral center. Let us get ready to kiss Glenn’s ass goodbye. And if, in the time jump at the very end of the episode that showed us the beginnings of cannibal Terminus, the cruel leader we saw was the character Negan from the comic book (which I suspect), then Glenn is definitely toast. Comic readers, you know what I’m saying.

IMG_0352

Could smiley evil dude on the right…

negan the walking dead

Be smiley sociopath from the comics? Image from businessinsider.com

 

Now, for the other quandary from episode 1: WTF was Eugene talking about? Sasha finally pinned Eugene down (figuratively, of course) and said (paraphrasing, perhaps), “Hey, just level with us. What is it that you’ve got? Why are we going to defend your mulleted head?” He said:

Even if I provided step-by-step instructions complete with illustrations and a well-composed FAQ and I went red-rain, the cure would still die with me…I was part of a 10-person team with the Human Genome Project to fight weaponized diseases with weaponized diseases, pathogenic microorganisms with pathogenic microorganisms, fire with fire. Inter-departmental drinks were had, relationships made, information shared. I am keenly aware of all the details behind fail-safe delivery systems to kill every living person on this planet. I believe with a little tweaking on the terminals in DC we can flip the script, take out every last dead one of ‘em. Fire with fire.

IMG_0349

Dude, I have no idea what you’re saying. But you’re pretty pleased with yourself for saying it.

Right. So. I can’t figure out if he’s full of shit or…what. On the one hand, he’s got a fair share of “anti-government conspiracy whack job” sprinkled in his speech. He’s using big words that sort of go together, but don’t necessarily say anything. This speech sort of reminds me of the nonsense speech the clock gives in Beauty and the Beast, when he takes Belle on a tour of the Beast’s castle.

On the other hand…Eugene does say, “The cure would die with me.” And he talks about fighting diseases with diseases.

Is Eugene immune?

I’ve been wracking my brain trying to understand the nature of Eugene’s relationship with Abe and Rosita, and it hasn’t made a lick of sense. He’s a burden. He can’t fight, he’s actually a detriment if he’s got a weapon in his hand. I can’t believe that he would come across as that smart that he’s got them bamboozled. Unless he’s physically worth protecting. Unless they know this for sure. Unless, maybe, they’ve seen him recover from a bite that would have killed anyone else. And there’s some kind of “we’ll have to talk to them (meaning, Rick Nation) later” private conversation that Rosita and Abe were having, but who knows what that’s about? Some folks think they don’t like having the baby around, because really, Judith is kind of a detriment too, though at this point that baby isn’t going ANYWHERE. Nothing they can do about her, really, except leave. I suspect their side chat had more to do with Abe and Rosita’s agenda with Eugene than with anything else. They’d gotten everyone in Rick Nation back together. I think they just think it’s time to head to DC.

Despite the bloody zombie mayhem, we had some happy reunions. Rick and Carl got to reunite with Judith, Daryl ran to Carol. *sniffle*

IMG_0351

Awww. Totally dysfunctional family joy.

IMG_0350

And women across the land were once again seethingly jealous of Carol.

Poor What’sHerFace has to wait until next week to hope for reunion. And in all this, one thing I noticed was the silence. There were no joyful squeals and hoorays at the sight of newly reacquainted loved ones; all the greetings of long-lost, feared-dead friends were given in relative quiet, with hugs and pats.

Because you never know what is near enough to track you to your sound.

That’s how it goes in the zombie apocalypse.

And then! Part of next weeks preview showed us that Morgan has returned and is tracking Rick Nation. Wild card! He’s a killing machine with an anti-zombie agenda, almost as relentless as the zombies themselves. If he’s in the game, then there’s no telling what will happen with the Rickites.

IMG_0353

Morgan: What “don’t mess with me” looks like.

So, to repeat: Glenn will die, this season. We’ll meet Negan. Carol will continue to be badass. So will Morgan. Eugene is immune. Beth will have something interesting to do, or she will ask to leave the cast. And Rick will continue to hunt Termians, because revenge is where his heart is.

See you next week!

In the meantime, here’s a little Bad Lip Reading and “Carl Poppa”.

The Walking Dead, S4 Ep 15: Us

~~~SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS~~~

And a note to readers: WordPress has changed the way we can format pictures and such, so no images open in a new window. If you want that to happen, you need to do so manually. Or, you can just use your browser’s back button. Moving on.

Let’s get the easy stuff out of the way.

Maggie & Glenn: reunited!  They have found one another. Glenn saw Maggie’s signs to get to Terminus and threw all sense of caution to the wind, running pell-mell along the railroad tracks, refusing to stop for rest or safety, and climbing through a collapsed train tunnel (from which they could clearly hear zombie hisses).

--Do you hear hissing?   --No, I don't hear hissing. Let's go in! #soundslegit

–Do you hear zombie hissing?
–No, I don’t hear hissing. Let’s go in! #soundslegit

His emotionally fueled personal quest jeopardized the life of injured Tara, who steadfastly refused to leave Glenn’s side as she busily atoned for her “sin” of being deceived by The Governor. Things would have been so much worse for Glenn and Tara if the cavalry–in the shape of the joined forces of Eugene, Abe Ford, Rosita, Maggie, Bob, and Sasha–hadn’t shown up in backlit silhouette at exactly the right moment.

Taroo taroo toot toot taroo!

Taroo taroo toot toot taroo!

So, yay, lovebirds, glad you’ve found one another and can stop risking your friends’ lives in unthought-out and selfish pursuits. Once they were back together, Glenn burned the picture he had of Maggie because she promised him she’d never be apart from him again. Sweet. Ominous. Because who can keep that kind of promise in their crazy world?

No, I love YOU more. No, I love you. No, you. *tongue gargle*

No, I love YOU more. No, I love you. No, you. *tongue gargle*

I’m betting the answer is: not her. But we’ll see.

Eugene: OMG, really? This guy is the embodiment of the worst of the worst of gamers, and this episode opens with him talking to Tara about dinosaurs and what RPGs or video games or whatever, he liked to play the most. And that a zombie dinosaur game would be an awesome pre-order. Like, he’s still thinking about these things like they’re present for him. Like, in his head he’s running through gaming scenarios.  Abe and Rosita, why do you believe he’s got the answers to everything? (Actually, I suspect Rosita kind of thinks he’s full of shit, but she won’t leave Abe and so? She follows.) I’m kind of surprised Eugene is able to tie his shoes without knotting them together and tripping himself, nerd-style. The problem with Eugene is, he’s the dangerous sort of comic relief whose stuffed-shirt brainiac blustering will end up getting someone killed, in much the same way that Glenn’s reckless run into the train tunnel nearly got Tara (and himself) killed.

Fly, you fool!

Fly, you fool!

Rick, Carl & Michonne: walking the tracks! Heading for Terminus! They’re physically not in this episode much, other than to show that Carl and Michonne are pretty securely bonded and Rick is all glowy over the good-timey feelings he gets from both of them. Awwww, so sweet it gives me a toothache. It won’t last.

Oh, you goofballs.

Oh, you goofballs.

The grim, dark little crew Daryl has fallen in with (grimness evidenced by their willingness to kill Len, one of their own, over the fact that Len was a stupid douchebag) is trailing Rick for revenge over the killing and zombification of their friend in the bathroom (called it!).  Joe, the leader of the gang, apparently man-crushes on Daryl, as he’s awfully protective of him AND is psychologically working him really, really hard with a relentless stream of “guys like us” statements. As in, “Guys like us, we practice a reverse judgement of Solomon; we cut the bunny in half and wait for the participants to reveal their true natures.”

And then guys like us, we shoot the folks with a less desirable nature in the eye with an arrow. Because reasons.

Joe wasn't kidding when he said you shouldn't lie.

Joe wasn’t kidding when he said you shouldn’t lie to him.

One of the curious traits of this season’s TWD has been its willingness to be self-referential and go back and forth along its own timeline. The characters’ stories are linear unto themselves, but jump back and forth in reference to other characters’ storylines. They do this again with Daryl’s gang, as they “claim” what they want is theirs, be it a bunny, a place to sleep, or a house.  Remember, the episode where Rick first encounters the Joe gang is called “Claimed“. Unbeknownst to Rick, he broke the rules by being in a claimed house, though I suspect Joe won’t be as lenient toward Rick’s rule-breaking as he was toward Daryl’s. What with Daryl being his man-crush bowman, and all. I mean, who wouldn’t love that vest with the wings on the back?

You should have a little drink there, Daryl, and relax. That's right...

You should have a little drink there, Daryl, and relax. That’s right…

Look, Daryl Dixon maniacs, I’m not saying Daryl reciprocates the feelings. I’m just saying Daryl has a fan, and that his fan also loves murder. That’s all.

Bear this in mind for later in this blog: In the “Claimed” episode, Michonne and Carl go scavenging through the houses in the neighborhood, searching for food (not pudding) and medical supplies and…whatever. In one of the houses they come upon a hallway gallery filled with crappy, mom-has-free-time-so-she’s-painting-flowers-and-we-have-to-hang-them style paintings. In the same house, Michonne and Carl also find the pinkest room in the history of all pinkness, filled with the bodies of a family that all died together rather than try and survive the zombie apocalypse.

The pink? Gaah, you don't know the half of it. Plus desiccated corpses.

The pink? Gaah, you don’t know the half of it. Plus desiccated corpses.

Or so we think. Back to that in a minute.

So, Terminus.

Maggie, Glenn, Sasha, Bob, Tara, Abe Ford, Rosita, and the relentlessly annoying Eugene arrive, and it is positively Paradise-y. It’s quiet. (Too quiet?) It’s open. There are sunflowers blooming along the entranceway, and that gives way to tidy little raised garden beds filled with cabbages and cucumbers and whatever else kind of produce they’ve got going.

Now we know were all the flowers have gone.

Now we know where all the flowers have gone.

Farmer Rick should fit right in here, once he toddles his way down the tracks.  Ahhhh, serene, right? They turn the corner and…finally, someone! Standing in the middle of a grill pit.

A grill pit?

So...what'cha cooking?

Hi. That smells great! So…what’cha cooking?

A grill pit. And she’s all braided and serene and smiley, and introduces herself as “Mary”. My response was much like that scene in The Highlander, when The Kurgan (only one of the greatest movie villains ever, and I will love you for all time for this, Clancy Brown) is in the seedy hotel and the hooker shows up. “I’m Candy,” she says, and his reply?

“Of course you are.”

Because I trust her (and Terminus in general) as much as I would trust Kurgan not to cheat at Scrabble. Though I do get to enjoy the benefit of watching the story unfold from the luxury of my couch, and not from the desperate, “I want four walls and food and a hot shower and I want to not have to fear that zombies are going to break in on my life and force me to have to flee into the woods…again….” center of a zombie apocalypse. Perspective is everything.

So. Mary. Mother of God allusions aside (is that possible?)…what’s she grilling? Because I didn’t see any livestock.

I'd like a side of Beth, please.

Would you like a side of Beth? BEEF! Beef! I mean beef.

AND! Remember those paintings in the house, that I mentioned previously?  Some eagle-eyed writer-fan who’s got me wildly outnerded pointed out that those paintings all mirror things that have happened in the various storylines.  There’s a couple of bunnies, and we all remember what happened when Lizzie met up with a bunch of baby bunnies.  There’s a golden dog, that looks suspiciously like the mangy mutt that lured Daryl to the door and caused the split from him and Beth. There’s sunflowers, much like the ones that greeted them at Terminus. And there’s one painting that had been profoundly defaced.  Eyes and mouth X-ed out, splattered with…blood? Red paint?  Hard to tell. And the thing is…

terminus-painting-e1395646576969

Oh, Mary, please. Picture from comicbook.com

Yep. Looks like her. Looks a whole, irrefutable lot like her.

I can’t tell you how many times I thought, “I should save these episodes on the DVR, so I can refer back to them if I need to.”  And then I didn’t and now I’m furious with myself (next season: done and done) because…if memory serves correctly…this painting was covered with some kind of cloth and propped in front of the door that led to the pink room where Michonne found the bodies. So. Did someone else place the painting there? Force this family to kill themselves? Was it related to Mary? Or did they just hate kitschy folk art this much? Michonne got a good eyeful of this painting; will she recognize Mary if and/or when they get to Terminus? What really happened in that house?

That, I think, is the question that will carry us forward into next season.

But next week, for the final episode: Bloody mayhem is assured. Stay tuned!

We’ll let Guns ‘n’ Roses play us out of this week’s episode with some “Paradise City“. Because it feels right.

The Walking Dead, S4 Ep 11: Claimed

~~~SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS~~~

Oh, where to begin.

This episode covered two groups’ story arcs: Rick/Michonne/Carl in their attempt to play house in Zombie Mayberry suburban Georgia, and Glenn/Tara, who recently met Abraham Ford and crew. We’ll start with Rick & Co. Just, you know. Because.

So Rick, Carl, and Michonne have found one another and are, for all intents and purposes, nesting. They need a new safe zone since the destruction of the prison.  Rick needs a place to physically heal as it’s only been a few days since The Governor nearly strangled him into his forever home, and he’s nursing at least one broken rib though it’s probably more like a dozen. Michonne and Carl, after breakfast together, go on a bonding-heavy supply run.

Let's talk about third grade, lad. Now finish your dry cereal and let's raid the neighbors.

Let’s talk about third grade, son, which was possibly the last grade you were in, in school. Now finish your dry cereal and let’s raid the neighbors.

Michonne opens up to Carl about having had a son, Carl reminisces about being allowed to name baby Judith and gets shaken out of his angry-teen-legitimately-upset-mourning-the-loss-of-his-sister (remember, he doesn’t know a thing about Tyreese having Judith, yet) depressive funk. They scavenge, eat squeeze cheese, and find the bodies of a family who had all the trappings of upper-middle-class “normalcy”–a tastefully decorated home, lots of living space, someone spent a lot of time painting mediocre still-lifes and hanging them on the walls–who all killed themselves together rather than live through the zombie apocalypse. Michonne won’t let Carl in the room once she finds the bodies. Why? This is the kid who iced his own mother to prevent her from going walker; what’s a few strangers in the most aggressively pink room in the history of paint?

The pink? Gaah, you don't know the half of it. Plus desiccated corpses.

The pink? Gaah, you don’t know the half of it. Plus desiccated corpses.

My guess: she didn’t want Carl to see that there could be another way out besides seeing this thing through to its probably nasty, dirty, unholy hell of a conclusion. The family in the room together haven’t seen the horrors of the post-apocalyptic world, they didn’t turn and eat their own families. They just…died.  Sometimes it’s hard to keep putting one foot in front of the other when you know there’s an option to just lay down and not have to get back up. Because when you get up you might have to face…

WHAT. Dude, I just wanted a little naptime.

WHAT. Dude, I just wanted a little naptime.

…Meanwhile, Rick, resting and napping, wakes to the sound of a gang breaking into their refuge. They’re totally bad-ass; Rick wakes because they’re having some kind of argument/fistfight downstairs. He slides under the bed to hide; Gang Guy 1 comes up with a big, bad gun and, of course, wants to sleep on that very same bed Rick is under. Gang Guy 2 (whose faces we don’t really see and names we don’t yet know, but one of the members was played by character actor and Vedic yogi Jeff Kober (yes way), so my guess is they’ll show up again in later episodes, unless Kober was just dying for a walk-on role) also wants to sleep in the same bed, so he chokes GG1 into submission.

That must be some crazy-nice bed. That's all I'm sayin'.

That must be some crazy-nice bed. That’s all I’m sayin’.

Because friends choke friends in a sleeper hold in the post-zombie apocalypse world. GG1 falls to the ground and passes out, but not before getting a good long eyeful of Rick. So. That will be fun in future episodes, since he can identify the currently enfeebled Rick. And why does that matter? Because as Rick is figuring out how to escape from the house, he hides in the bathroom, which is unfortunately occupied by a doody-making Gang Guy 3. Bad timing! Rick dispatches GG3 but leaves him to become zombified, creating chaos in the house, making instant enemies for future conflict and opening up an opportunity to get away, just in the nick of time, with Michonne and Carl.

While we're at it, say hello to Rick's new shirt.

While we’re at it, say hello to Rick’s new shirt.

I admit it, the entire time Rick was trapped in that house with the gang, I wanted to throw up. It was really well done. And foreboding. The folks wandering around in the world keep being murderously crazy. The Governor, this gang. Now Rick, Carl and Michonne are heading to the previously-mentioned “Terminus” place and in this world you just know that anything that calls itself a sanctuary? In all likelihood, is not.

When we catch up with Glenn and Tara, we see them in the back of Abraham Ford’s massive military truck, traveling north. Glenn, of course, needs to go back to where they came from to search for Maggie, so he freaks out, breaks the window on the back of the truck, and forces Abe Ford to stop. When Abe “insists” that Glenn go with him to deliver the genius Eugene to DC (because kidnapping someone is also OK in the post-zombie apocalypse?), Glenn suckerpunches Abe to get away from him. 

Betcha didn't see that coming, didja? Didja, huh?

Betcha didn’t see that coming, didja? Didja, huh?

Go, Glenn! Abe’s like three times his size so it maybe wasn’t the smartest decision he’s ever made, but he certainly wins the Captain Cojones award.

The interesting character in Glenn’s story arc is Eugene. Tara’s busy being annoying but steadfast Tara. Abe’s biggest “flaw” (if you can call it such) so far is that he’s a bullheaded ex-military guy who seems to enjoy killing zombies, but I’m willing to allow for that. Rosita, as a character, has barely been developed; I feel like I know more about Jeff Kober’s Gang Guy 2 than I do about her, though she’s really good at looking either bored or annoyed.

I haven't taken a picture of Rosita because she hasn't done anything yet. But for those playing along, here's that Jeff Kober guy.

I haven’t taken a picture of Rosita because she hasn’t done anything yet. But for those playing along, here’s that Jeff Kober guy. (Cue a chorus of: Oh, right, that guy!)

And then there’s Eugene, the pudgy guy with the mullet, who Abe says is the genius who’s figured out what happened and knows how to cure the zombie plague. Abe is bringing Eugene to DC to meet with officials. Abe, I think, is earnest in his support of Eugene’s claims, and knows that he can’t bludgeon their crazy world back into shape. But he can do this one thing, deliver this one guy he believes can do something, to the powers that be. Unfortunately for Abe, Eugene is lying about something. Do I know this for sure? No. But. When zombies came out of the corn field and Eugene had to be the first to react (due to the aforementioned suckerpunch and ensuing fist fight), he took a gun and shot the truck instead of the zombies. The truck’s to the left, the zombies are to the right, and guns are little more than point-and-click technology. How did he manage to “accidentally” point in the wrong direction? He’s stalling for time. Then he takes off after Glenn, when Glenn heads back to where they came so he can pick up his search for Maggie. Eugene’s actions? Are not the ones of a man on a mission to save the world.

No, Eugene. To your OTHER right!

No, Eugene. To your OTHER right!

All bets welcome on how quickly they end up going to Terminus, too, since that does seem to be the place to go.

Go ahead and smirk, Eugene. You'll get figured out.

Go ahead and smirk, Eugene. You’ll get figured out.

Next week: Daryl and Whatsherface end up hiding in the trunk of a car. And, somewhere, Lizzie is killing something small and helpless.

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